December 2009
From member Dave Taylor: I’ve been a fan of Arthur Conan Doyle’s legendary detail-oriented detective Sherlock Holmes for as long as I can remember.
From member Brandon Fibbs: In my review of Rob Marshall’s Memoirs of a Geisha, I stated that the director had all the subtly of
From member Brandon Fibbs: Expecting the nutritional value of Christmas cotton candy, I instead left It’s Complicated convinced I’d seen the smartest, most insightful,
From member Brandon Fibbs: A Single Man is a lavish and romantic examination of interrupted love, a chronicle of life and loss and everything
From member Brandon Fibbs: I walked into Sherlock Holmes more than a little anxious. As a longtime fan of Sir Arthur Conan Doyle’s famed
How do you make an engaging film about a queen who lent her name to an era known primarily for stuffiness and repression? By
I’ve often argued that Spanish director Pedro Almodovar is incapable of making a bad movie. There’s greater and lesser Almodovar, and that’s about all
From member Robert Denerstein: Despite its title, Werner Herzog’s Bad Lieutenant: Port of Call New Orleans is only a distant cousin to Abel Ferrara‘s
From member Robert Denerstein: The long list of technical credits for James Cameron‘s much-hyped Avatar don’t pile as high as the stacks of money
From member Dave Taylor: Avatar is a movie about manifest destiny and second thoughts, a sweeping epic retelling of a classic theme about a
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